Recently stumbled upon the work of Minneapolis-based mixed media artist Amy Rice, and was drawn to her unique style right away. Since she grew up on a dairy farm in the Midwest, it’s no surprise that she favors natural and pastoral themes.
Though she took many art history courses in college, she didn’t receive any formal art training, having majored in sociology and women’s studies. Being a self taught artist has worked in her favor, as she has never felt constrained by any hard and fast rules or the need to adhere to convention.
She achieves her trademark style with non-traditional printmaking methods, including hand cut stencils and a Japanese screen printing toy called a Gocco. She uses spray paint, acrylics, gouache, and ink to print on a variety of surfaces, including wood, fabric, and antique papers (handwritten love letters, envelopes, music sheets, maps, journal pages), and “is most satisfied when I can make a tangible or visceral connection between the materials used and the image rendered.”
You wake with
in the arms
of your beloved
to the smell of fresh coffee
you eat a giant breakfast
with no thought
there is time to read
with a purring cat on your lap
later you walk by the ocean
with your dog
on this cut crystal day
your favorite music and the sun
fill the house
a short delicious nap
under a fleece throw
and the phone doesn’t ring
at dusk you roast a chicken,
bake bread, make an exquisite
for some friends
you’ve been missing
someone brings you an
and the wine is just right with the food
after a wonderful party
you sink into sleep
in a clean nightgown
in fresh sheets
your sweetheart doesn’t snore
and in your dreams
an old piece of sadness lifts away
Know what would really hit the spot right about now?
A warm bowl of instant ramen. Care to join me?
I can’t even guess how many years I’ve been going from “hungry to happy” with Top Ramen and Cup Noodles. They’re pretty unbeatable (and ubiquitous) as comfort food — quick, convenient, portable, shelf stable, cheap, tasty and satisfying. It’s the kind of thing you take for granted, the food that helped you get through college. 🙂
But do you know who actually invented instant ramen?
I first heard of Taiwanese-born Momofuku Ando in an article that appeared in David Chang’s inaugural issue of the now defunct Lucky Peach magazine (2011). What a fascinating and inspirational story! Anyone who’s ever slurped up their fair share of ramen should know the who, what, when, how, and why of what the Japanese consider to be their best invention of the 20th century.
Now, thanks to Andrea Wang and Kana Urbanowicz, hungry, noodle-loving kids can read all about it in a new picture book, Magic Ramen: The Story of Momofuku Ando (little bee books, 2019). They will see that because of one man’s compassion, ingenuity, persistence, and entrepreneurial smarts, people all over the world can make their own delicious ramen “anywhere, anytime” in just a few minutes. 🙂
So pleased to welcome award winning author Mary Quattlebaum to talk about her new National Geographic Kids picture book, Brother, Sister, Me and You (2019), which features the unique sibling bonds of eleven different types of animals (including humans). 🙂
Mary is uniquely qualified in this subject as she grew up with three brothers and three sisters. Her lively, fun-to-read rhyming text is paired with color photos of adorable cubs, kits, chicks, pups, and ducklings who are having too much fun leaping, paddling, tumbling, climbing and bouncing together. We soon see how humans are much the same when it comes to interacting and playing with our siblings.
Sister lion leaps and pounces.
Honeybees do wiggle-bounces.
Ducklings paddle through the water.
Brother splashes sister otter.
So, why did Mary want to write this book? What are some of the things she liked to do with her brothers and sisters? Yes, cooking was one of them, and she’s got a couple of recipes to share. Read on!
1. There’s nothing ho-hum about Oregon-based ceramicist Sara Swink’s work. She creates human and animal figures that tease our thinking and beg interpretation. She takes something familiar and gives it a dreamlike, bizarre, or even humorous twist. Her distinctive pieces definitely compel us to take a second or third look.
Her love of clay began when she was eight, with the encouragement of a neighbor who was a potter. She learned to throw on a potter’s wheel, hand build and mix glazes in high school, even buying her own wheel with money earned cleaning houses.
Some twenty years later, she began taking ceramics classes, then studied art history, printmaking, drawing, and foundry work at several universities while teaching. Studying with Coeleen Kiebert (whose approach is to fuse artmaking with the psychology of the individual) was pivotal in shaping Sara’s work. Sara’s pieces can be seen as expressions of her inner psyche; there is a personal narrative that runs through all her art.
Sara opened Clay Circle Studio when she moved to the Portland area in 2006 and continues to offer workshops. Find out more about her classes at her official website, where you can also view a wonderful archive of available and past pieces.