a sampler of poems from Marrow of Summer by Andrea Potos

Imagine spending a stimulating Saturday evening visiting Gertrude Stein’s famous Paris salon at 27 rue de Fleurus. You’d wile away the hours hobnobbing with the likes of Picasso, Hemingway, Matisse, Fitzgerald, and other artistes et écrivains d’avant-garde célèbre.

Gertrude Stein and Alice B. Toklas with Matisse, Hemingway, and Picasso (Brett Kaufman/bkbiography)

Alice B. Toklas might serve her famous Mushroom Sandwiches with Clear Turtle Soup, a lovely Violet Soufflé, and A Fine Fat Pullet, followed by a Tender Tart or even Custard Josephine Baker (what, you were hoping for Haschich Fudge?). 🙂

Wisconsin poet Andrea Potos revels in a similar scenario with her whimsical poem, “Imagining Heaven,” just one of the many finely crafted gems from her latest poetry collection, Marrow of Summer (Kelsay Books, 2021).

In some ways a companion to Mothershell (Kelsay Books, 2019), where Andrea lovingly distills fond memories of her mother Penny, Marrow of Summer is written “For all the beloveds, gone on,” honoring not only Penny, but her grandmother, father, and lost friends.

With intuitive insight, Andrea captures small revelatory moments, where gratitude, joy and hope eclipse the weight of loss and longing. It could be the whirring of hummingbird’s wings, the somber sound of the cello, or the startling flame of cardinal feathers: she is always fully present to wonder and willing to embrace the miraculous. 

John Keats portrait by Joseph Severn (1821-23)

A fascinating aspect of Andrea’s work is how she cultivates a romantic, ever blossoming interior landscape — fertile ground where art, music, history, travel, and literature happily commingle to inform her poetic process. Her affinity for John Keats, the Brontës, Emily Dickinson and Renoir makes it easy to picture her thriving in a century gone by.

19th century colorized engraving of Charlotte Brontë by William Jackman

I thought it would be fun to share several poems from Marrow of Summer that speak to her writing and the beloved creatives who inspire her. I thank Andrea for sharing a little backstory for each poem along with personal photos. I must admit, her idea of heaven is pretty close to mine. 🙂

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an expression of love: jack gilbert’s “the forgotten dialect of the heart”

“It is interesting to note that poetry, a literary device whose very construct involves the use of words, is itself the word of choice by persons grasping to describe something so beautiful it is marvelously ineffable.” ~ Vanna Bonta

Detail from a reproduction of the Fresco of the Procession, Palace of Knossos, Crete.

 

We sometimes hear people say, “words fail me.” Have you ever been stymied trying to write about something you care deeply about, frustrated that everything you come up with falls short?

Whether grief, elation, bafflement, or love — we often fall victim to cliché or manage a fair approximation at best.

In this poem, Jack Gilbert suggests that love — the most intense and wide ranging emotion human beings are capable of experiencing — might be the most challenging to describe in words. It’s ironic how Gilbert acknowledges the imperfection of language with a poem that is perfection in itself. 🙂

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Phaistos Disc, Side A (it’s just under 6″ in diameter).

 

THE FORGOTTEN DIALECT OF THE HEART
by Jack Gilbert

How astonishing it is that language can almost mean,
and frightening that it does not quite. Love, we say,
God, we say, Rome and Michiko, we write, and the words
get it wrong. We say bread and it means according
to which nation. French has no word for home,
and we have no word for strict pleasure. A people
in northern India is dying out because their ancient tongue
has no words for endearment. I dream of lost
vocabularies that might express some of what
we no longer can. Maybe the Etruscan texts would
finally explain why the couples on their tombs
are smiling. And maybe not. When the thousands
of mysterious Sumerian tablets were translated,
they seemed to be business records. But what if they
are poems or psalms? My joy is the same as twelve
Ethiopian goats standing silent in the morning light.
O Lord, thou art slabs of salt and ingots of copper,
as grand as ripe barley lithe under the wind’s labor.
Her breasts are six white oxen loaded with bolts
of long-fibered Egyptian cotton. My love is a hundred
pitchers of honey. Shiploads of thuya are what
my body wants to say to your body. Giraffes are this
desire in the dark. Perhaps the spiral Minoan script
is not a language but a map. What we feel most has
no name but amber, archers, cinnamon, horses and birds.

~ from Jack Gilbert: Collected Poems (Knopf, 2014)

Phaistos Disc, Side B

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Pittsburgh native Jack Gilbert once described himself as a “serious romantic.” Born four days after Valentine’s Day in 1925, he flunked out of high school but was admitted to the University of Pittsburgh due to a clerical error (yes, really!).

After his first book of poetry, Views of Jeopardy (1962), won the Yale Young Poets Prize and was nominated for a Pulitzer, he became quite the literary and media darling. He did not embrace this role, however, and for most of his life went into self-imposed exile, eschewing fame and traveling around Europe where he sometimes taught American Literature for the U.S. State Department. He would not publish another collection of poetry for twenty years.

Many of his poems are about love and his relationships with specific women. The “Michiko” in “The Forgotten Dialect of the Heart” is the sculptor Michiko Nogami, a former student 21 years his junior, with whom he lived in Japan until she died from cancer at age 36.

The cultural references in the poem, especially the “spiral Minoan script,” reflects Gilbert’s time living in Greece and brought back fond memories of my visits there. The Phaistos Disc in the photos is one of the greatest archaeological mysteries of all time. At least 4,000 years old, it was discovered by an Italian archaeologist in 1908, and people have been trying to decipher its mysterious code ever since.

Recently, after working together for six years, Dr. Gareth Owen (linguist researcher with the Technological Educational Institute of Crete) and John Coleman (phonetics professor at Oxford), figured out what the mysterious language sounded like and what some of it means. Reading in a spiral direction from the outside to the inside, they’ve concluded it’s a prayer to a Minoan goddess.

 

Minoan White Goddess

 

Because the inscriptions were made by pressing hieroglyphic “seals” into soft clay, producing a text with reusable characters, the Phaistos Disc is considered by some to be a very early example of “movable type printing.” Fascinating!

Jack Gilbert, who published five volumes of poetry, died at age 87 in 2012 after a long battle with Alzheimer’s. I love the idea of dreaming about “lost vocabularies that might express some of what we no longer can.” And I am grateful to poets for inventing their own “lost vocabularies,” giving voice to our deepest yearnings.

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Enjoy this reading of the poem by Tom O’Bedlam:

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“Cupid in a Landscape by Il Sodoma (1510)

 

How will you express your love this Valentine’s Day?

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🎈 CAN I TOUCH YOUR HAIR? GIVEAWAY WINNER! 🎈

Thanks to everyone who left comments last week. We are pleased to announce that the lucky person receiving a copy of CAN I TOUCH YOUR HAIR? by Irene Latham and Charles Waters is:

🌺 GAYLE!! 🌸

Congratulations!! Please send along your snail mail address to receive your book.

Next giveaway: Anne of Green Gables Cookbook on Tuesday, February 13!

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The talented and clever Sally Murphy is hosting the Roundup this week. Take a trip down under to check out the full menu of poetic goodness being shared in the blogosphere. Have a good weekend. 🙂


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