Over the stream and across the field is the world of Brambly Hedge…
Are you a Brambly Hedge fan?
If so, then you probably know that Autumn 2020 marks 40 years since British author/illustrator Jill Barklem published the first four picture books in her charming series — Spring Story, Summer Story, Autumn Story, and Winter Story.
Released simultaneously by HarperCollins, they proved immensely popular among readers of all ages despite being written primarily for young children. To date they’ve been translated into 13 languages and have sold over 7 million copies.
I was drawn to Barklem’s incredibly detailed illustrations long before I actually read the stories. This is not surprising for a longtime Beatrix Potter fan who can’t resist anthropomorphized animals dressed in smart clothes. In fact, I probably first saw Barklem’s adorable mice on pieces of Royal Doulton china.
Once I familiarized myself with all the characters and spent ample time in their idyllic English countryside, I was totally hooked. Brambly Hedge continues to attract generations of new readers with its emphasis on traditional values and universal themes such as family, friendship, community, seasonal self-sufficiency, and sustainability.
A nature lover since childhood, Jill was inspired by the countryside where she grew up, especially the ancient woodland, Epping Forest. At age 13 she suffered a detached retina, which prevented her from participating in sports, so she spent her afternoons indoors, concentrating on art and botany. Her love of drawing flowers and twigs eventually prompted her to study illustration at St. Martin’s School of Art in London.
She did not look forward to the long commute from Epping to London on the underground every day — but eventually made good use of her time by escaping into her own richly imagined world of mice who lived in the trunks and roots of trees and hedgerows.
This is how Wilfred Toadflax, Primrose Woodmouse, Poppy Eyebright, Mr and Mrs Apple, and all the others were first conceived. After graduating from St. Martin’s, Jill briefly worked for Lion Publishing, penning a few picture books and illustrating Bibles, but she didn’t feel she was doing her best work.Continue reading