We would look up at the stars — the stars were our soup
I first became acquainted with Jorge Argueta’s work through his delectable cooking poem books (Sopa de frijoles/Bean Soup, Arroz con leche/Rice Pudding, Guacamole, Tamalitos, Salsa). Of course it felt like he had written these books just for me — how could I resist the playful language, mouthwatering imagery, and charming magical realism? Each poem, a spirited, sensory feast with a lasting, distinctive flavor, made me hunger for more.
Two years ago, I discovered another dimension of Jorge’s brilliance when he wrote about the heart-wrenching plight of Central American migrant families in Somos como las nubes/We Are Like the Clouds (Groundwood Books, 2016). Winner of the 2017 Lee Bennett Hopkins Poetry Award, these poems express the child immigrant’s point of view and show how an arduous journey marked by danger and uncertainty is also a testament to courage, hope, resilience, and optimism.
When I was nine, there was nothing I wanted more than to belong to the All-of-a-Kind Family.
I loved the idea of having four sisters, all of us wearing our white pinafores as we traipsed to the library Friday afternoons and spent our pennies for treats on Rivington Street. Would I get a warm sweet potato like Ella, hot chick peas like Sarah, or candied fruit on sticks like Charlotte and Gertie? I don’t think I’d opt for a fat, juicy sour pickle like Henny did. 🙂
I’m guessing most of us who loved Sydney Taylor’s classic AOAKF books imagined ourselves as one of these girls, perhaps the one closest to our own age. But since we got to know them all so well, we were probably able to find parts of ourselves in each of them.
Months ago, when I first learned that Emily Jenkins and Paul O. Zelinsky were publishing a new picture book based on Taylor’s series, I reread all five books and fell in love with them all over again. So wonderful to feel the comforting embrace of this close-knit family and immerse myself in their turn-of-the-century world. I was once again charmed and captivated by Taylor’s writing, appreciating anew her ability to speak of and to a child’s heart with such candor and truth.
But I did wonder how Emily and Paul would be able to create the same kind of magic in a 40-page picture book. I needn’t have worried. I loveAll-of-a-Kind Family Hanukkah. In fact, it’s my favorite food-related picture book of 2018!
The death bell rings.
Everyone knows what
the death bell brings . . .
It’s time for class. You’re in the place
where goblins wail and zombies drool.
Welcome, you’re just in time.
Monster School is in session — come right in and meet the gang!
These just might be the scariest, spookiest students ever — a class where nobody blinks twice about the odd hairy eyeball on the floor or having a teacher who’s a screaming banshee.
Strangely enough, when you read about them, these spirited scholars seem to feel freakishly familiar. 🙂
In her newest children’s book Monster School (Chronicle Books, 2018),poetry wizard Kate Coombs has conjured up 18 fangtastic poems just perfect for some Halloweenish fun. Illustrated by Georgia cartoonist Lee Gatlin (who professes to love drawing monsters most of all), this cauldron of creepiness will cast you under its spell and tickle your skeletal funny bone.
Written in a variety of poetic forms, the mostly rhyming poems introduce us to some very interesting pupils, two weird teachers, and one voracious class pet.
Take “Fernanda Kabul” (please) — she has a way of instilling dread at the mere mention of her name. Part brat, part bully, and a vengeful liar, this “terrible, heartless” dressed-all-in-black “princess of hex” thrives on terrorizing her classmates:
One time Josh was laughing at something I said and she thought he was laughing at her. By the time she was finished he wasn’t a kid: He was three inches long. He was covered with fur.
Break out the marmalade, Paddington Bear turns 60 this year!
On October 13, 1958, Michael Bond published the first book about our favorite ursine from darkest Peru, A Bear Called Paddington.The novel was inspired by a stuffed bear Bond rescued from a department store shelf on Christmas Eve, and it took all of ten days to write.
Today, Paddington boasts an international following with some 70 titles translated into 30 languages, with 30 million copies sold. A beloved British institution, Paddington shows no signs of slowing down with two very successful feature films, oodles of merchandising, and commemorative coins issued by the Royal Mint.
We can’t think of a better way to celebrate than by chatting with award winning author/illustrator R.W. Alley, who’s been drawing Paddington since 1997. Though there have been several other Paddington artists through the years (Peggy Fortnum was the first), to my knowledge only Mr Alley has illustrated Paddington quite as long, and in all formats — novels, picture books, board books, and early readers. He’s also the only American among the Paddington artists.
Every bit of this ebullient fourteen poem collection is pure, unabashed, glorious, spirit-lifting joy. Celebrating the rewards and pleasures of reading and sharing good books, as well as exercising one’s creative muscle to write original poems, it’s the perfect way to get kids excited about the wonder, beauty, and infinite possibilities of words.
Bookworms, word collectors, library lovers, literacy advocates, and budding poets will find much to love in Mora’s lyrical, open-hearted poems and Colón’s stunning, beautifully rendered illustrations. This is the third collaboration by this esteemed, multi-award winning Latinx team (Tomás and the Library Lady,Doña Flor: A Tall Tale About a Giant Woman with a Great Big Heart), and they’re in perfect sync here.
I confess Mora had me with her opening poem — a simple declaration of how vital and nourishing books can be:
BOOKS AND ME
books and me,
like toast and jelly o queso y tortillas.
Like flowers and bees,
birds and trees,
books and me.