illustration

nine cool things on a tuesday

~ jama ~ 24 Comments
Copyright © 2017 Mary Engelbreit

 

1. Been a Mary Engelbreit fan for decades, especially enjoying her greeting cards and calendars. Happy to see her social justice pieces in recent years — like this lovely “Humanity” fine print. It’s available in two sizes, 11″ x 14″ and 16″ x 20″ (signed or unsigned). This design is also available on a t-shirt (50% of proceeds to benefit the ACLU). Nice Valentine’s Day gift, but the sentiment is a good one year round. Check out her online shop for lots more – – books, bags, apparel, games, puzzles, mugs. I am especially loving this Sweet Sipping Cocoa Box. 🙂

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2. New Book Alert! Just released January 8: The Piñata That the Farm Maiden Hung by Samantha R. Vamos and Sebastià Serra (Charlesbridge, 2019):

This is the bilingual story of the farm maiden and her cadre of animals, who crafted a festive piñata for a surprise birthday party. A beautiful and lively companion to the award-winning The Cazuela That the Farm Maiden Stirred (2011).

A young girl sets out on errands for the day, and while she’s gone, the farm maiden prepares a piñata from scratch with help from a boy, horse, goose, cat, sheep, and farmer. After they all fall asleep in the afternoon sun, they must scramble to finish preparations in time–just as the girl arrives back to her surprise party. Key English words change to Spanish as the cumulative verse builds to the celebratory ending. With the familiarity of “The House That Jack Built,” the tale cleverly incorporates Spanish words, adding a new one in place of the English word from the previous page. This book makes learning the language easy and fun. Back matter includes a glossary, definitions, and directions for making a piñata at home.

Sounds good, no? It’s already earned a *starred review* from Foreword Reviews. Check out this recent audio interview with Samantha at the publisher’s site.

Congratulations to Samantha and Sebastià!

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[tuneful review] Carlos Santana: Sound of the Heart, Song of the World by Gary Golio and Rudy Gutierrez

~ jama ~ 28 Comments

“There’s a melody in everything. And once you find the melody, then you connect immediately with the heart. Because sometimes English or Spanish, Swahili or any language gets in the way. But nothing penetrates the heart faster than the melody.” ~ Carlos Santana

Just as there are celebrated rock singers whose vocals are instantly recognizable (Bob Dylan, Mick Jagger, Janis Joplin, Stevie Nicks), there are electric guitarists whose signature stylings and timbres we’d know just about anywhere.

Carlos Santana is rightfully ranked among the greatest rock guitarists of all time, alongside such masters as Jimi Hendrix, Eric Clapton, Jeff Beck, and Stevie Ray Vaughan. When you hear the pure, piercing tone of his guitar as it caresses a melodic line (oh, those amazing solo riffs and sustained notes!), there’s no mistaking whose fiery, impassioned “voice” you’re hearing.

Santana pioneered a unique fusion of rock, blues, jazz, and Latin, African and Cuban rhythms in the late 60’s and early 70’s — a distinctive sound that continues to electrify audiences today. With early hits like “Black Magic Woman” and “Evil Ways,” the rare addition of percussion instruments (congas, timbales) to guitar and organ flavored the music with an old world, positively primal feel. The aptly named, strictly instrumental “Soul Sacrifice,” with its driving polyrhythms and rousing solos, pulsates with an energy that fairly inhabits the listener, taking him/her on a transformative musical journey.

Though I’ve enjoyed Santana’s music since college, I knew very little about Carlos Santana’s childhood, so I was especially pleased to see that New York Times bestselling music biographer Gary Golio had recently published Carlos Santana: Sound of the Heart, Song of the World (Henry Holt, 2018). Illustrated by Pura Belpré Honor and Américas Award recipient Rudy Gutierrez (who created Santana’s iconic Shaman CD cover), this captivating picture book describes Carlos’s early years in Mexico as he seeks a personal, authentic mode of musical expression.

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[review] A Movie in My Pillow/Una película en mi almohada by Jorge Argueta and Elizabeth Gómez

~ jama ~ 17 Comments
Art by Elizabeth Gómez

 

SOUP OF STARS

Many nights
we would go to bed
without eating

We would look up
at the stars —
the stars were our soup

 

I first became acquainted with Jorge Argueta’s work through his delectable cooking poem books (Sopa de frijoles/Bean Soup, Arroz con leche/Rice Pudding, Guacamole, Tamalitos, Salsa). Of course it felt like he had written these books just for me — how could I resist the playful language, mouthwatering imagery, and charming magical realism? Each poem, a spirited, sensory feast with a lasting, distinctive flavor, made me hunger for more.

 

Jorge is one of the original Alphabet Soup Poetry hotTEAS!

 

Two years ago, I discovered another dimension of Jorge’s brilliance when he wrote about the heart-wrenching plight of Central American migrant families in Somos como las nubes/We Are Like the Clouds (Groundwood Books, 2016). Winner of the 2017 Lee Bennett Hopkins Poetry Award, these poems express the child immigrant’s point of view and show how an arduous journey marked by danger and uncertainty is also a testament to courage, hope, resilience, and optimism.

 

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[review + recipe] All-of-a-Kind Family Hanukkah by Emily Jenkins and Paul O. Zelinsky

~ jama ~ 28 Comments

When I was nine, there was nothing I wanted more than to belong to the All-of-a-Kind Family.

I loved the idea of having four sisters, all of us wearing our white pinafores as we traipsed to the library Friday afternoons and spent our pennies for treats on Rivington Street. Would I get a warm sweet potato like Ella, hot chick peas like Sarah, or candied fruit on sticks like Charlotte and Gertie? I don’t think I’d opt for a fat, juicy sour pickle like Henny did. 🙂

I’m guessing most of us who loved Sydney Taylor’s classic AOAKF books imagined ourselves as one of these girls, perhaps the one closest to our own age. But since we got to know them all so well, we were probably able to find parts of ourselves in each of them.

Months ago, when I first learned that Emily Jenkins and Paul O. Zelinsky were publishing a new picture book based on Taylor’s series, I reread all five books and fell in love with them all over again. So wonderful to feel the comforting embrace of this close-knit family and immerse myself in their turn-of-the-century world. I was once again charmed and captivated by Taylor’s writing, appreciating anew her ability to speak of and to a child’s heart with such candor and truth.

But I did wonder how Emily and Paul would be able to create the same kind of magic in a 40-page picture book. I needn’t have worried. I love All-of-a-Kind Family Hanukkah. In fact, it’s my favorite food-related picture book of 2018!

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a peek at monika forsberg’s walkyland

~ jama ~ 7 Comments

 

These days I’ve been loving Monika Forsberg’s wonderfully quirky art. I’m taken with her vivid colors and interesting compositions, as well as how she blends humor and fantasy with reality.

 

 

A Monika Forsberg design is bold, eye-catching and very distinctive.

 

 

Though she now lives and works in North London, she’s originally from Sweden. She grew up in a northern seaside town where it was almost always winter.

 

 

In her early 20’s, Monika moved to London to study art and animation at the Royal College of Art. Her boyfriend is also an artist and they are the parents of two boys. After the birth of her second son, she decided to pursue illustration.

 

 

Her work appears in books and magazines, on fabric and paper products (gift wrap, greeting cards, planners, stationery), and a variety of children’s products (games, puzzles, backpacks, baby clothes).

 

 

 

Her client list includes Anthropologie, eeBoo, NY Review, United Nations, Gorman Clothing, Oopsie Daisy and Unicef.

 

 

Monika begins her pieces with pen, paint, and paper — drawing by hand while sitting on her bed listening to audio books or radio documentaries. When she’s compiled a stack of drawings, she moves to her computer, where she scans them in before assembling the best ones in Photoshop.

 

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