ruminating on “call me bourgeois” by alice n. persons

 

Are you a tormented genius? Do you suffer for your art?

Here’s what Maine poet Alice N. Persons has to say about that.

 

Ed Harris as Jackson Pollock (2000)

 

CALL ME BOURGEOIS
by Alice N. Persons

After watching “Pollock”, with Ed Harris
as the tormented genius,
I couldn’t sleep,
thinking about suffering and art.
Should I feel a little shallow
because I’m not a drunk or a slave
to drugs, I pay my bills, like to cook,
and no believer in my genius supports me?
When I have a bad day,
instead of waking up fiercely hung over
and filthy on a Manhattan street,
at the end of this trying day
I do the dull, comforting routines —
let the dogs out, fill the cat food bowl,
floss, check email, and usually (not always)
behave like a grownup
who happens to be a poet.
I don’t like to wear black all the time.
Cigarettes stink.
Bad poets performing their work embarrass me.
I’m all for people expressing themselves,
but I also want them to shower,
and they had better not turn over any
Thanksgiving dinner tables in my vicinity.
Pain makes art
but so do pleasure and normalcy.
Sometimes the quietest person in the band
produces the purest and most lovely sound.

~ from Never Say Never (Moon Pie Press, 2004)

 

Ed Harris in “Pollock” (2000)

 

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Call me amused, and you can certainly call me bourgeois. I’m with Alice on this one. 🙂

I admit when I was younger, the starving, suffering artist trope appealed to me. After I read the Beat Poets, I wanted to go On the Road with Jack Kerouac. The thought of hanging out in dark cafés with beatniks wearing black berets snapping their fingers sounded real cool, daddy-o.

The only thing that mattered was the art, man. Living, breathing, and making it. Who needed food when you could live off creative vapors?

 

American author Jack Kerouac (1922 – 1969) gestures expansively as he reads poetry at the Artist’s Studio, NYC, 1959 (Photo by Fred W. McDarrah/Getty Images)

 

We grow up hearing about artistic geniuses whose lives were full of high drama. They’re often depressed, anxious, schizophrenic, suicidal, or delusional, many of them addicted to alcohol or other drugs. And we wonder — if their lives had been more “normal,” ho-hum, pedestrian — would they have been able to create the works they did?

Abstract expressionist painter Jackson Pollock, for one, was an alcoholic who was diagnosed as clinically neurotic (speculation he may have been bipolar). Prone to drinking binges and drunken stupors, he was largely reclusive and had a volatile personality. His wife Lee Krasner (also an artist) had a huge influence on his work and career. Pollock benefited from Krasner’s extensive knowledge of and training in modern art, and she also introduced him to many critics, collectors, and other artists. Most important, she believed in him, and he implicitly trusted her judgment and opinions.

 

Jackson Pollock and Lee Krasner

 

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[review + giveaway] Illusions: Poetry & Art for the Young At Heart by Charles Ghigna and Chip Ghigna

“Everything you can imagine is real.” ~ Pablo Picasso

 

Not too long ago, I featured a few word-gems from Charles Ghigna’s, Dear Poet: Notes to a Young Writer (Resource Publications, 2019). When I paired Charles’s words with his son Chip’s art, I didn’t realize that just a short time later they would publish a book together!

In Illusions: Poetry & Art for the Young at Heart (Resource Publications, 2020), these two incredibly talented creatives explore their fascination with dreams and illusions, as they delve into the mysteries of creativity and champion the innate ability of each individual to shape his own reality.

Geared towards tweens and teens (and as the title suggests, anyone who’s young at heart), the 22 poems and images encourage readers to think outside the box, celebrate the fine art of play, and be bold in envisioning all the possibilities.

If there is any “secret” to creativity and courting the muse, perhaps it’s all about accessing one’s inner child, for therein lies openness, intuition, spontaneity, and a direct line to the imagination.

 

Cover Art: “Tree of Hope” by Chip Ghigna

 

These are poems where daydreaming is actively encouraged, and communing with nature is a holistic, spiritual experience, rich with “Inspiration”:

It is the sound
of the wind
and the silence of the night.

It is the sun
and the moon
and the memory.

In the lyrically beautiful poem, “One,” we are reminded of the interconnectedness of all living things, that time is a continuum, and that there is wisdom to be gleaned by choosing to remain aware, alert, and engaged. Glory and wonder are ours for the taking.

There is clever wordplay, too, like in the whimsical poem, “Art”:

Art is undefinable,
A mystery of creation
Inspired by a pigment
Of your imagination.

Makes me smile every time. 🙂

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“the patience of ordinary things” by pat schneider

“Mountain Blues” by Karen Hollingsworth (2013)

 

THE PATIENCE OF ORDINARY THINGS
by Pat Schneider

It is a kind of love, is it not?
How the cup holds the tea,
How the chair stands sturdy and foursquare,
How the floor receives the bottoms of shoes
Or toes. How soles of feet know
Where they’re supposed to be.
I’ve been thinking about the patience
Of ordinary things, how clothes
Wait respectfully in closets
And soap dries quietly in the dish,
And towels drink the wet
From the skin of the back.
And the lovely repetition of stairs.
And what is more generous than a window?

~ from Another River: New and Selected Poems (Amherst Writers & Artists Press, 2005)

“Connected” by Karen Hollingsworth (2010)

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And is it not a kind of love how a poem can hold the words you most need to hear? Vessel of heart, unadorned yet profound, luminous in its simplicity, Schneider’s poem speaks to the sacred in the everyday and is a beautiful paean to patience and gratitude.

If you’re a writer, you know all about waiting. And waiting. And waiting. Every step in the process has a distinct purpose and unfolds in its own time. Every story or poem waits its turn for someone to give it form, shape, and resonance. Just as I appreciate the cup that holds my tea, I marvel at how ideas know how to find just the right people, and how the hundreds of books on my shelves silently wait for me to reach for them. I am most grateful for the patience of stories waiting to be told, and smile at the thought of how happy characters must be when we finally open their books and let them speak.

“Reading Woman by the Open Window” by Asta Norregaard (1889)

This poem gives me an inner sense of calm, making me feel centered and grounded. The outside world is chaotic and full of upheaval and uncertainty. It is good to know there are things we can count on, and that no matter what happens, there is art, the power of the imagination, unique voices and vision. One person’s poem can be another’s prayer.

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A renowned teacher of writing, Pat Schneider is the author of ten works of poetry and nonfiction, including Writing Alone and With Others. Founder of Amherst Writers & Artists, she travels frequently to teach and has been leading workshops in creative writing at the Pacific School of Religion for almost thirty years. Garrison Keillor has read her poems sixteen times on “Writers Almanac.” Her most recent book is How the Light Gets In: Writing as a Spiritual Practice (2013). Find out more about Pat’s books and writing workshops at her Official Website.

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🐶 PET CRAZY GIVEAWAY WINNER! 🐰

Thank you for commenting about your favorite pets last week. Enjoyed reading the rhymes and picturing a white stray cat named Silmarillion lapping milk, a hound who croons at the moon, and a dog who likes to lick his owner’s feet. There was also a Lizzy and a Lizzie, one a salamander, the other a fish . . . or a dragon? 🙂

Mr Cornelius picked the winner with the careful long distance supervision of Monsieur Random Integer Generator, who’s in Provence having his mustache trimmed.

So, with a little trumpet fanfare and a jiggedy jig (drumrolls are passé this season),

we are pleased to announce that the winner of a brand new copy of Pet Crazy is:

🎉 Jan Godown Annino at BookSeedStudio!! 🎈

Congratulations, Jan!!

Please send your snail mail address to: readermail (at) jamakimrattigan (dot) com to receive your book. 🙂

Thanks again to everyone for entering the giveaway!

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The lovely and immensely talented Laura Purdie Salas is hosting the Roundup at Writing the World for Kids. Glide over and check out the full menu of poetic goodness being shared in the blogosphere this week. I can’t believe September is all but over already! Enjoy your weekend. 🙂


Copyright © 2017 Jama Rattigan of Jama’s Alphabet Soup. All rights reserved.

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Barking About Pet Crazy by Sylvia Vardell and Janet Wong (+ a giveaway!)

Jump, roll over, sit, and stay . . . it’s time to sniff out Pet Crazy, the third title in the popular Poetry Friday Power Book series created by poetry goddesses Sylvia Vardell and Janet Wong. Yip!

Just for this post, you may bark, meow, cluck, or tweet your approval at any time. Perfectly acceptable. After all, it’s hard to curb your enthusiasm for this fun and frisky interactive story-in-verse and writing journal rolled into one, just purrrrfect for kids in grades K-3 (or bears of any age).

Pet Crazy includes 36 poems in all, with three poems featured in each of 12 PowerPacks.

PowerPacks include:

  1. Powerplay Activity
  2. Anchor Poem
  3. Response Poem
  4. Mentor Poem
  5. Power2You Writing Prompt

The anchor poems in Pet Crazy were written by Kristy Dempsey, Janice Harrington, Carole Boston Weatherford, Eric Ode, Helen Frost, Tamera Will Wissinger, Elizabeth Steinglass, Laura Shovan, Padma Venkatraman, Eileen Spinelli, April Halprin Wayland and Don Tate. Five poems culled from the Poetry Friday Anthology series take their place alongside seven newly penned verses.

Janet Wong has written original response and mentor poems, cleverly weaving all into a charming story about young Ben, who yearns for a dog of his own, friend and cat lover Kristy, and Daniel, Ben’s best friend, who gives Ben an unusual pet for his birthday.

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a celebration and a cautionary tale (oh, oh, oh)

OH, WOW! (Icing on the Cake)

Here in this humble blog space, the furry kitchen helpers and I have cause to celebrate.

Alphabet Soup is now officially TEN years old!

To think that when I first started blogging — pre-Facebook, pre-Twitter, pre-diverse books movement — I could barely insert an image into a post, and pretty much knew next to nothing about how the internet worked. I did know from day one that my focus would be food and books, but I had yet to read a single food blog.

I think this was a good thing, because it would have been way too intimidating to see all those fancy, artfully designed sites with magazine quality photos — blogs written by people decades younger than I was with ten times the energy, ambition, and technical smarts.

Unlike some others, my primary motivation was not to promote my books or profit from sidebar ads or sponsored posts. I wanted to join the online conversation about children’s books, practice a different form of writing, and build self-confidence. I wanted to “take readers by the hand and show them what I loved.”

Though I had published three picture books in the mid-90’s (when there was a blip of interest in “multicultural books”), by 2007, after years of rejection and the crushing realization that books by and about POC were relegated to a kind of ‘afterthought’ sub-category, I had stopped writing altogether, except for personal letters and journals.

If you hear “NO” often and long enough, pretty soon you tell yourself that no one is interested in what you have to say. ‘Don’t go where you aren’t wanted’ is advice I often heard growing up. Life is short — was this a good, healthy way to live — feeling like a failure every single day? Obviously I wasn’t good enough, or maybe “white” enough or young enough or smart enough or perky enough or lucky enough.

But a writer has to write. There is that innate desire for creative expression. As there didn’t seem to be a place for me in the traditional children’s publishing landscape, what about this blog thing? The only person who had to say “YES” to it was me.

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