1. Here’s the perfect cheer-up: cut paper collages courtesy of UK illustrator and surface pattern artist Tracey English!
Love her refreshing style, pretty colors, uplifting subjects, and appealing compositions. Tracey lives in SW London with her husband, two sons, a cat named Jelly and their dog Daisy. If I do say so myself, she has the *best* surname. 🙂
She uses hand painted papers in all her pieces, and has worked for such clients as Quarry Books, Bloomsbury Publishing, Design House Greeting, and Calypso Cards.
One can’t help but feel happy when looking at her pictures; she has such a joyous spirit! I mean — ice cream sundaes, birthday tea, blue pots, birdies in cups! Does she know me or what?
Every afternoon at two-fifteen they come,
a procession of chairs and walkers,
or unaided in a slow and ponderous shuffle,
backs hunched against the unkindness of time,
to assemble in the great room for tea.
They enjoy this ritual —
the sturdy cups of Orange Pekoe,
cookies and squares that break up a day,
words exchanged, sometimes even heard,
by folk whose paths might not have crossed before.
It’s a slow dance, led by invisible partners.
It’s the last dance, and they’re saving it
for every afternoon at two-fifteen.
Nursing homes have been in the news a lot lately. After all, it was a nursing home — the Life Care Center in Kirkland, Washington — that first warranted our serious concern about COVID-19’s community spread in the U.S. back in late February.
We learned that the elderly were the most vulnerable, and that many residents as well as caregivers had been lost or were fighting for their lives across the country.
When I stumbled upon this lovely poem by Canadian poet Linda Crosfield recently, I couldn’t help but view it through the lens of the pandemic. The cherished ritual of afternoon tea took on an added poignancy as I thought of those who no longer have the joy of a “last dance” to look forward to.
As it turns out, though, there was a bright spot, a glimmer of hope.
When I contacted Linda to ask for permission to share her poem, she provided a little backstory about it:
I wrote “Tea at Jubilee Manor” when my aunt was living there. It’s a nursing home in Nelson, BC. She died at 102 in 2012. Now my mother is in the same place and she’s turning 100 on June 3rd. Sadly, it won’t be quite the celebration we’d always planned. Can’t see her in person. No hugs. No flowers. Gifts frowned on. But we can send in one of those little airline-sized bottles of gin and some tonic and we will toast her over the fence on the day.Â
Now the poem is even more meaningful. Though I was sorry to hear Linda and her family won’t be able to celebrate this landmark birthday in person, I was so relieved that her mom is okay and would indeed be observing a rare milestone next week.
Would you like to meet Daisy? Here she is:
Linda’s mother Daisy, the birthday girl!
Have you ever seen such a beautiful face, such a wonderful smile? Oh, the people she’s met, the things and places she’s seen, the love she’s shared in 100 years! And she’s given us a poet!
Oh, look — it’s 2:15! In honor of Daisy’s birthday on Wednesday, we’ve set up a little afternoon tea. Please help yourself to some marble cake, dark chocolate pretzels, lemon, oat, and chocolate chip cookies, and of course, a warm cup of Orange Pekoe.
If not for Linda’s poem, our paths might never have crossed. Just as her heartening words suggest, we must follow the lead of our wise elders by rejoicing in simple pleasures and cherishing each moment as it comes, with gratitude that it’s been given.
Mr Cornelius wants you to try a Tunnock’s Tea Cake, a special treat from Scotland.
There’s much to be said, especially in tough, unpredictable times, about treating each slow dance as your last.
While you nibble and sip, enjoy this mini gallery of seniors and Samantha Reynolds’s poem, as a way of honoring those we’ve lost, those we’ve found, and those we’ve yet to meet. Not to be forgotten, devalued, discounted or sacrificed, but revered, respected and treasured.
Look who’s relaxing up there on that shelf. She seems to be enjoying a moment of peace and quiet. As long as no one reaches for the sugar, she’s all set. 🙂
I was instantly smitten when I first saw Elizabeth Price’s charming ceramic figures. People standing, bending, stretching, sitting, posing — alone or with others — a state of mind, a moment in a narrative, a three dimensional snapshot that arouses curiosity and makes the viewer smile, ponder, or reflect.
Her pieces are brilliantly emotive; much is conveyed by stance and gestures — some as small as the tilt of the head or a certain set of the shoulders. I also love the soft colors and patterns of the garments! Wouldn’t you enjoy the lovely surprise of finding a small person lounging in your garden, posed on your bathroom sink, perched on your bookshelf?
Elizabeth is (you guessed it) British. She initially trained as an art teacher but early on ran her own restaurant in Manchester. It wasn’t until she was in her forties that she pursued formal art training and set up a home studio.
She’d always enjoyed working with clay, and after making many cakes with marzipan, she was reminded of just how much. 🙂
Geared towards tweens and teens (and as the title suggests, anyone who’s young at heart), the 22 poems and images encourage readers to think outside the box, celebrate the fine art of play, and be bold in envisioning all the possibilities.
If there is any “secret” to creativity and courting the muse, perhaps it’s all about accessing one’s inner child, for therein lies openness, intuition, spontaneity, and a direct line to the imagination.
Cover Art: “Tree of Hope” by Chip Ghigna
These are poems where daydreaming is actively encouraged, and communing with nature is a holistic, spiritual experience, rich with “Inspiration”:
It is the sound of the wind and the silence of the night.
It is the sun and the moon and the memory.
In the lyrically beautiful poem, “One,” we are reminded of the interconnectedness of all living things, that time is a continuum, and that there is wisdom to be gleaned by choosing to remain aware, alert, and engaged. Glory and wonder are ours for the taking.
There is clever wordplay, too, like in the whimsical poem, “Art”:
Art is undefinable, A mystery of creation Inspired by a pigment Of your imagination.
