B.J.’s a former librarian whose poems have appeared in oodles of periodicals and anthologies, including Highlights for Children, Spider Magazine, The Poetry Friday Anthology for Celebrations, One Minute Till Bedtime, The Best of Today’s Little Ditty, Dear Tomato, and the National Geographic Book of Nature Poetry.
Yes, this girl’s been busy scribbling away in her Florida hideaway, and her first picture book is rollicking good fun. She’s taken the classic “There Was An Old Lady” cumulative nursery rhyme and given it a Floridian spin — a cool way to introduce kids to some of the critters who hang out in her part of the country.
Seems B.J.’s Gator swallows a moth — who knows why — and it makes him cough. Only one thing to do: swallow a crab to grab the moth. But the crab “skittered and scuttled and gave him a jab.” What to do? Swallow an eel to nab that crab!
As you can imagine, this was just beginning of Gator’s problems. He keeps swallowing more creatures, bigger and bigger each time (have you seen the stomach on that guy?) until he actually gulps an entire lagoon! Hoo Boy!
You’ll have to read the book to find out what happens to this guzzling gator and all those bewildered animals in his belly. Kids will love turning the pages to see what animal’s next (ray! pelican! panther! manatee! shark!). Of course this story is a riot to read aloud with its catchy rhymes, repetition, bouncy rhythm and amphibious alliteration (cough, cough). And David Opie has amplified the hilarity with his emotive, dynamic illustrations.
Just had to ask B.J. all about her publishing journey, tinkering with the text, and yes, she’s sharing a recipe (did someone say PIE?)!
Break out the marmalade, Paddington Bear turns 60 this year!
On October 13, 1958, Michael Bond published the first book about our favorite ursine from darkest Peru, A Bear Called Paddington.The novel was inspired by a stuffed bear Bond rescued from a department store shelf on Christmas Eve, and it took all of ten days to write.
Today, Paddington boasts an international following with some 70 titles translated into 30 languages, with 30 million copies sold. A beloved British institution, Paddington shows no signs of slowing down with two very successful feature films, oodles of merchandising, and commemorative coins issued by the Royal Mint.
We can’t think of a better way to celebrate than by chatting with award winning author/illustrator R.W. Alley, who’s been drawing Paddington since 1997. Though there have been several other Paddington artists through the years (Peggy Fortnum was the first), to my knowledge only Mr Alley has illustrated Paddington quite as long, and in all formats — novels, picture books, board books, and early readers. He’s also the only American among the Paddington artists.
We also learned that Candice was asked to write the story based on character sketches created by Georgia illustrator Christine Grove. This was the first time Candice had written a picture book in this way and with animal characters.
This time, Amanda is excited about being the first in her class to have a birthday and turn six, because then she’ll be special and famous. She has a School Bus themed birthday party all planned for Saturday and can’t wait to give her best friend Bitsy the first invitation.
But true to form, pink poufy Bitsy has beat Amanda to the punch. Bitsy’s birthday is the day before Amanda’s and her Princess Kitten birthday party is planned for the same day. Talk about spoiling everything! Despite Bitsy’s attempts to be accommodating, Amanda declares she won’t attend Bitsy’s party, so the formerly inseparable duo stop speaking to each other. What to do?
Christine has pulled out all the stops with her charming pictures (school bus wallpaper! adorable pandas with spot-on facial expressions! delectable sundae buffet!), making this story of friendship, compromise, and problem solving a joy to read.
I know you’ll enjoy hearing about how Christine created her panda characters and what she particularly enjoyed about working on this new book.
🐼 MEET ILLUSTRATOR CHRISTINE GROVE 🎂
Tell us about when you first sketched the Amanda Panda character. What did she tell you about herself?
Initially she was a younger version, I found her to be independent and a bit strong willed — wanting things her way.
How was the personality that Candice created for her in Amanda Panda Quits Kindergarten similar to and different from that?
As the idea for the books progressed while working with Frances Gilbert, the editor, Amanda Panda became older — school aged. But she still had that same personality and Candice captured it perfectly! I just love how Candice expresses Amanda Panda’s emotions — I mean, who hasn’t felt their tummy lower than their knees? Finding out you have to share your birthday can be pretty traumatic, when you had plans to be the star of the day. Candice has written a relatable and humorous story. She made me giggle out loud — books are definitely a group effort and it’s all the better when you have a great editor, designer and author!
What kind of six-year-old were you? Were you more like Amanda or Bitsy?
Definitely not Bitsy, I was the kid who wanted to go unnoticed. (I still like to be in the background.) I was super shy for a long time. Amanda is not shy but I can relate to her determination and how she thinks things should be a certain way.
Please share a favorite childhood birthday party memory.
I have to pick just one? I can’t — they were always special and I felt celebrated, plus there was cake!
Describe your journey to becoming a published children’s book illustrator.
I’ve always loved to draw but didn’t seriously consider it as a possible career until well into adulthood. I was going through some big life changes and during that time did some serious thinking about + researching becoming a children’s book illustrator. I entered an MFA program and while I was finishing I got my first book contract. It was thrilling! Maybe a year or so later I signed with my agent — also thrilling! — Maggie Byer Sprinzeles. She gets me assignments and is a dream to work with!
Could you briefly explain how you made the pictures for this book?
I always start a sketch on loose copy paper. The sketching part is my favorite! Then I scan it into Photoshop where I can clean it up and move things around if I want. After sketches were approved I used my light table to transfer them in with a micron pen onto Arches watercolor paper. Then they’re scanned again and I can make small adjustments needed in Photoshop.
Do you have a favorite spread?What do you remember most about creating it?
I’d have to say the Birthday Party scene. I’ll always remember that it took a really long time to paint! But details are my favorite so it was so fun to do. I loved doing the little sprinkles, the curlies on the cupcakes, and princess hats the best!
Overall, what did you like best about working on this project? How was it different from working on the first Amanda book?
I’d have to say the sketching. I can get lost in it, it’s a great feeling. For this project I hope I know Amanda even better and have been able to make my drawings fit who she is. I’d hate to disappoint her!
I love how you’re able to convey such a wide range of character emotions through endearing facial expressions, gestures, and posturing. Do you ever use child models for reference?
Every once in a while I might google a reference for facial expression but I mostly use my own, even making the face myself as I try to figure out how to best draw an expression. I don’t usually use a mirror, rather I feel it. Is that weird? Maybe I should start using a mirror more…
I also love the way you dressed the pandas, and all the charming and humorous details you included in the illustrations (school bus wallpaper! colored sprinkles! polka dots!). Were there any particular reference materials you found especially helpful?
Thanks! I do google children’s clothes to try to get reference material. The editor and designer gave me direction on that one, clothing is a challenge for me and I don’t know why.
Did you know you wanted to illustrate children’s books when you were little?
I’ve always loved books. My mom read to me constantly when I was little. When I was in elementary school I used to hide under the covers with Dr. Richard Scarry books, a flashlight, paper and pencil, trying to copy what I saw.
Who are some of your favorite artists?
Besides Richard Scarry, I love Gyo Fujikawa, Eloise Wilkins, Lynn Munsinger, Carter Goodrich, Janet Ahlberg, I could keep going.
Which ones do you think have had the most influence on your style?
There are so many great illustrators. I do really love Munsinger. Her ink and watercolors are amazing.
Tell us about your famous collection of Derwent 2H graphic pencils. Why are you especially enamored of them? 🙂
Oh, probably because I have an emotional attachment to them, they were the first I used when sketching. I keep a glass jar of the nubs, I want to see how full I can get it in a lifetime. Although, I did recently discover the pencil extender, cool invention! Does just what you would think, attaches to the pencil nub so you can use it even longer.
Is there anything else you’d like us to know about this book?
Just that I hope you enjoy reading and looking at it, as much as I enjoyed creating the illustrations. I hope every time you look at the pictures you never get bored and can find a new little something maybe you didn’t notice before.
What’s next for you?
Right now I am finishing up finals for another children’s book. And I start another book right after that with a different publisher, just turned in the cover for that one.
I love the yummy birthday party double page spread with the two birthday cakes and that wonderful sundae buffet. Do you have a favorite sweet treat recipe you can share with us?
How about Princess Cupcakes!? I do like to make things from scratch but for these cupcakes a box mix works just fine. And you can add an extra egg and use milk instead of water to make it even richer and more delicious. Then decorate them how you want, make them your own. Go crazy with it!
#56 in an ongoing series of posts celebrating the alphabet
“T minus 10, 9, 8, 7, main engine start, 5, 4, 3, 2, 1 and LIFT OFF!”
B is for Blastoff, a powerful thing! When those engines are fired, it’ll make your ears ring. There is smoke — and vibration — as we launch into space. And we do it with flair, with excitement and grace!
On June 8, 2007, Astronaut Clayton C. Anderson launched to the International Space Station aboard the Space Shuttle Atlantis. As Expedition 15 Flight Engineer and Science Officer aboard the ISS for five months, he performed three space walks. He returned to the ISS in 2010 on a resupply mission, and in 2013 retired from NASA after 30 years of service — 15 as an engineer and 15 as an astronaut.
In this entertaining and informative picture book, we are invited to fly with Clay on a fun, out-of-this-world A to Z tour that draws on his wealth of firsthand knowledge and unique insight.
From Astronaut and Blast-off, to Galaxy and Meteors, right through to Rendezvous and Zulu time, the short lively poems paired with fascinating info sidebars will appeal to spaceniks and science buffs of all ages, stirring their wanderlust and inspiring them to dig a little deeper.
The lake is a blue scarf ironed by stillness, locust leaves burnt yellow, everywhere, softness in September air.
Her exquisite metaphor took my breath away as I envisioned the tranquil autumn scene. Potos next quotes Keats:
The first thing that strikes me on hearing a misfortune having befalled another is: Well it cannot be helped — he will have the pleasure of trying the resources of his spirit
Miles away, Andrea’s mother is undergoing cancer radiation treatment. The doctor “will aim one perfect arrow of light in the errant spot that would claim her if it had its way . . . ”
This poignant opening poem, “Morning of My 56th Birthday,” sets the stage for 25 other luminous and poignant ruminations about beauty, light, loss and grief. With her mother’s decline, each precious moment is amplified, bringing intense clarity and love.
Even as Andrea grieves, she celebrates life. Light and dark, joy and sorrow, flip sides of the same coin. She juxtaposes these two elements with extended metaphors of blue and gold: the blues of lake, sea, twilight, flowers, sadness; the golds of autumn, sunlight, Van Gogh, and radiant childhood memories.
“Grief, he told her, is the exhale of love (the ache of breathing) . . . “