a fresh look at Emily Dickinson and Robert Frost

Let’s take a peek at the first two titles in the new Illustrated Poets Collection just released in August by Bushel & Peck Books.

Both The Illustrated Emily Dickinson and The Illustrated Robert Frost were edited by poet and educator Ryan G. Van Cleave, Creative Writing Coordinator at the Ringling College of Art and Design in Sarasota, Florida.

They each contain “25 Essential Poems” paired with David Miles’s gorgeous full color collages (he had me at those beautiful eye-catching covers). 🙂

~ from The Illustrated Robert Frost

In his welcoming series introduction, Van Cleave offers friendly suggestions for making the most of the books. He encourages readers to simply “enjoy the poems” rather than puzzle over the poet’s intentions or dwell on other people’s interpretations.

Next, it’s good to engage with the poems by asking questions such as:

  • What do you notice about this poem?
  • How does this poem make you feel?
  • What else have you read/seen/experienced that connects with this poem?

Finally, it’s important to “be your own boss” – read the poems in order or jump around as one sees fit. Share them with others or savor them by yourself. Read them aloud or “whisper their words in your heart.”

~ from The Illustrated Robert Frost

Ultimately, “there is NO wrong way to experience a poem.” This reminds me of Lee Bennett Hopkins saying that a poem is meant to be experienced rather than analyzed, and I think this goes a long way in making poetry less intimidating for the average reader.

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[poesy + receipts] Three Cups of Tea with Miss Emily

“If we love flowers, are we not born again every day . . .” (Emily Dickinson to Mrs. George S. Dickerman, 1886)

Happy Good Friday and Happy Passover!

We are celebrating this rejuvenating season of renewal, reflection and rebirth with our dear friend Emily Dickinson.

Ever since Spring donned her yellow bonnet and tiptoed into our woods, I’ve been immersed in Emily’s words. Rereading her poems fills me with the same wonder and elation as seeing those first daffodils pop up or the dogwoods proudly showing off their white blossoms. 

Her inimitable voice remains fresh, clever, startling, a little subversive. For someone who once wondered if her verse was “alive,” she could never have imagined that it has remained so to millions for over a century.

A little Madness in the Spring
Is wholesome even for the King,
But God be with the Clown -
Who ponders this tremendous scene -
This whole Experiment of Green -
As if it were his own!

Although she normally shies away from company, the Belle of Amherst couldn’t resist Mr Cornelius’s invitation to stop by (he has a way with 19th century poetic geniuses). She agreed to share a few of her poems if we provided tea and treats.

We were happy to oblige, quite anxious to try several recipes from the new Emily Dickinson Cookbook: Recipes from Emily’s Table Alongside the Poems That Inspire Them (Harvard Common Press, 2022). Arlyn Osborne’s charming compendium contains 50+ recipes – several Emily recorded, dishes she and her family enjoyed, plus others typical of the New England of her time – all adapted for the modern home cook. 

Our three cups of tea represent the triad of Emily’s existence: Garden, Writing, Home and Family. We have selected YOU as our society, so put on a clean white dress or shirt, place a crown of dandelions in your hair, and ring when you’re ready for your first cup of verse and victuals.

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[review + recipe] On Wings of Words by Jennifer Berne and Becca Stadtlander

 

Each bird, bee, blossom, butterfly — was a source of joy and wonder for young Emily Dickinson. In this beautiful new picture book biography, aptly illustrated with a butterfly motif, we witness her singular metamorphosis from a keenly observant child into one of the most original and innovative poets in American literature.

On Wings of Words: The Extraordinary Life of Emily Dickinson by Jennifer Berne and Becca Stadtlander (Chronicle Books, 2020), traces Dickinson’s life from her birth on a snowy December evening in 1830 until her death in May 1886, with a unique focus on how her writing liberated, challenged, and sustained her, and why she eventually chose a life of solitude in order to be her truest self.

Berne’s lyrical narrative is artfully interwoven with Emily’s own words, creating an intimate sense of immediacy as we become privy to the poet’s “letter to the World.”

 

 

We first see how young Emily “met the world,” exploring her natural surroundings with great curiosity and affection. Nothing was too small or insignificant to warrant her full attention, and she “found new words for everything she was discovering.”

The bee is not afraid of me,
I know the butterfly . . .
The brooks laugh louder
when I come.

Emily loved so many things — her brother Austin, her school friends, and most of all, books, for each “was an adventure, a distant journey on a sea of words.” From early on, she was intense and passionate, with strong desires, deep thoughts, and heightened emotional highs and lows.

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poetry friday roundup is here!

“The bluebird carries the sky on his back.” ~ Henry David Thoreau

WELCOME TO POETRY FRIDAY AT ALPHABET SOUP!

Please help yourself to warm blueberry muffins and green tea. 🙂

Something I look forward to every Spring is spying that first flash of blue alighting on a bare branch outside my window. Bluebird!

If the sun’s out, the bluebird’s feathers dazzle. He must know how handsome he is. Before the trees have budded, this show of color offers hope and such joy. It’s amazing how just one little bird in a natty blue coat can transform a landscape.

The bluebird has been considered a harbinger of happiness by many world cultures for thousands of years. On this Mother’s Day weekend, here are bluebird poems by Emily Dickinson and Mary Oliver. I love the shared delight of these two poets, born 105 years apart.

Wishing you the gift of sweet birdsong amid the din, a spot of beauty to light the way, and many happy moments.

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by Deidre Wicks

 

THE BLUEBIRD
by Emily Dickinson

Before you thought of spring,
Except as a surmise,
You see, God bless his suddenness,
A fellow in the skies
Of independent hues,
A little weather-worn,
Inspiriting habiliments
Of indigo and brown.

With specimens of song,
As if for you to choose,
Discretion in the interval,
With gay delays he goes
To some superior tree
Without a single leaf,
And shouts for joy to nobody
But his seraphic self!

(1896)

 

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by Suren Nursisyen

 

WHAT GORGEOUS THING
by Mary Oliver

I do not know what gorgeous thing
the bluebird keeps saying,
his voice easing out of his throat,
beak, body into the pink air
of the early morning. I like it
whatever it is. Sometimes
it seems the only thing in the world
that is without dark thoughts.
Sometimes it seems the only thing
in the world that is without
questions that can’t and probably
never will be answered, the
only thing that is entirely content
with the pink, then clear white
morning and, gratefully, says so.

~ from Blue Horses (Penguin Press, 2014)

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Now, please leave your links with the dashing Mr. Linky below. I hope you enjoy flitting from blog to blog, sampling all the poetry goodness laid out for the taking. Thank you for joining us this week!

 

 

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by EO Prints

 

“A man’s interest in a single bluebird is worth more than a complete but dry list of the fauna and flora of a town.” ~ Henry David Thoreau

 

DON’T FORGET TO THINK BLUE.

🐦 HAPPY MOTHER’S DAY!! 🦋


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**Copyright © 2018 Jama Rattigan of Jama’s Alphabet Soup. All rights reserved.

[review + editor chat + giveaway] Poetry for Kids: Emily Dickinson

Birdsong, flowers blooming, “a sea of summer air.” What a singular delight to linger over this new collection of Emily Dickinson poems!

Emily Dickinson, edited by Susan Snively and illustrated by Christine Davenier, is the first book in a new Poetry for Kids series published by MoonDance Press. The 35 poems are arranged by season, beginning with Summer. And what a joyous welcome it is:

It’s all I have to bring today,
This, and my heart beside,
This, and my heart, and all the fields,
And all the meadows wide.

Who could resist such a generous invitation to tag along with Emily as she spies a skittish bird, describes what it’s like to chance upon a snake (“grass divides as with a comb”), and cheerfully provides a “recipe” for making a prairie (“it takes a clover and one bee”)?

After the carefree explorations of summer, there’s a gradual winding down as Autumn arrives, with poems about a garden preparing for the cold weather, sunsets, and the passage from life to death. Winter ruminations strike a fitting contemplative tone: snowfall magically transforming the landscape, an industrious spider spinning a web, imagining what heaven might be like.

With Spring, the welcome signs of new life, a delightful letter from a fly to a bee, and fanciful cloud gazing:

A curious cloud surprised the sky,
‘Twas like a sheet with horns;
The sheet was blue, the antlers gray,
It almost touched the lawns”

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